"You've got to find out what you've got in common with that character, no matter who they are or what they did," says Bruce Springstein on writing his narrative songs.
"So 'Nebraska' is a song written with the premise that everyone knows what it's like to be condemned."
The above was inspired by the movie Badlands and Charlie Starkweather, whose life the film (and song) was loosely based on.
Tony Tost wrote, "This may be the greatest American film ever made without a single character with an IQ over 100."
Is this following spoiler? Maybe a little. Watch it first.
I may not have ever felt so much for characters who were serial killers--certainly not for their crimes and here mostly for her... until that last line which recasts him in a new light (the light had been there, but it clarified). Amazing how one line can change everything.
Also, that whole build up. There's no exciting climax*, no final show down. Just the impending doom and his reaction to what's happening. Heartbreaking.
It's interesting what can be excluded from a story and yet remain powerful.
*One could claim that it is exciting, after a fashion--the sheer number of bodies suddenly on screen where there had been so few before. Also the climax is exciting in terms of one's psychological make-up. So perhaps what one takes out, one must replace.
*One could claim that it is exciting, after a fashion--the sheer number of bodies suddenly on screen where there had been so few before. Also the climax is exciting in terms of one's psychological make-up. So perhaps what one takes out, one must replace.
