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Showing posts with label Dorothy Parker. Show all posts
Showing posts with label Dorothy Parker. Show all posts

Friday, November 8, 2013

Dorothy Parker on hated characters

"It’s easier to write about those you hate--just as it’s easier to criticize a bad play or a bad book."
-- Dorothy Parker in an interview with Paris Review


Possibly if it's too easy, it doesn't consider the hated characters as well, which may explain why her stories make better art than her verse.

Thursday, November 7, 2013

Dorothy Parker on the Different Arts Involving Humor

"I don’t want to be classed as a humorist.... I’ve never read a good tough quotable female humorist.... There’s a hell of a distance between wisecracking and wit. Wit has truth in it; wisecracking is simply calisthenics with words. 
"[Satire’s] another matter. They’re the big boys. If I’d been called a satirist there’d be no living with me. But by satirist I mean those boys in the other centuries. The people we call satirists now are those who make cracks at topical topics and consider themselves satirists.... Lord knows, a writer should show his times, but not show them in wisecracks. Successful satire has got to be pretty good the day after tomorrow.  -- Not like Thurber and Mr. Benchley. Those two were damn well-read and, though I hate the word, they were cultured. What sets them apart is that they both had a point of view to express. That is important to all good writing. It’s the difference between Paddy Chayefsky, who just puts down lines, and Clifford Odets, who in his early plays not only sees but has a point of view. The writer must be aware of life around him."

-- Dorothy Parker in an interview with Paris Review

Still a problem in today's satirists.

Monday, November 4, 2013

Dorothy Parker's story writing process

"It takes me six months to do a story. I think it out and then write it sentence by sentence--no first draft. I can’t write five words but that I change seven."
-- Dorothy Parker in an interview with Paris Review

I have to agree with her on this one.  Her verse has charm (see the justly famous verse "Resumé"--charm:  suicide is an annoyance, so that's why you should live), but they rarely rise above what they are.  Her little narratives, though, can have a powerful punch.

Saturday, November 2, 2013

Dorothy Parker on poetry vs. verse

"My verses. I cannot say poems. Like everybody was then, I was following in the exquisite footsteps of Miss Millay, unhappily in my own horrible sneakers. My verses are no damn good. Let’s face it, honey, my verse is terribly dated--as anything once fashionable is dreadful now. I gave it up, knowing it wasn’t getting any better, but nobody seemed to notice my magnificent gesture."
-- Dorothy Parker in an interview with Paris Review

I have to agree with her on this one.  Her verse has charm (see the justly famous verse "Resumé"--charm:  suicide is an annoyance, so that's why you should live), but they rarely rise above what they are.  Her little narratives, though, can have a powerful punch.

Friday, November 1, 2013

Reader's Guide to "A Telephone Call" by Dorothy Parker

Availability:

Summary: .

A stream of consciousness narrative about a woman waiting for a call from a man who may be or have been a boyfriend, lover, or even a fling.  The narrator tries to control emotions but drops the reins every time she pulls the emotions in.









Questions:
  1. What does it mean that the narrator changes her mind quickly and from one extreme to another?  Have you done the same?
  2. "If I didn't think about it, maybe the telephone might ring." Is she successful?
  3. There are shifts in topic within the paragraph.  What does that achieve in the narrative?
  4. "Darling" is not a common term today.  How do we know what it meant to the narrator? [See quote 1 below]
  5. What is she like to talk to on the phone?  Can we know?  See quote 2.
  6. The narrator discusses matters of telephone etiquette.  Have they changed?  Should it?
  7. Who is the narrator's antagonist?  Her boyfriend? God? herself? or a combination?
  8. The last time she counts, does she make it to 500?  Use text to support your answer.
  9. Is this tiny crisis, tiny or universal?
Quotes:
    1. "I think that's where he said 'darling.' I'm almost sure he said it there. I know he called me 'darling' twice, and the other time was when he said good-by. 'Good-by, darling.' He was busy, and he can't say much in the office, but he called me 'darling' twice."
    2. "He couldn't have minded my calling him up. I know you shouldn't keep telephoning them--I know they don't like that. When you do that they know you are thinking about them and wanting them, and that makes them hate you. But I hadn't talked to him in three days-not in three days. And all I did was ask him how he was; it was just the way anybody might have called him up. He couldn't have minded that. He couldn't have thought I was bothering him. "No, of course you're not," he said.
    Critical commentary:
    About the Author:

    Resources:

    Dorothy Parker on narrative

    "[N]arrative stories are the best, though my past stories make themselves stories by telling themselves through what people say. I haven’t got a visual mind. I hear things. But I’m not going to do those he-said, she-said things anymore, they’re over, honey, they’re over."
    -- Dorothy Parker in an interview with Paris Review

    It's unfortunate she sold her work short due to some fashion in narrative mode.