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Showing posts with label David Farland. Show all posts
Showing posts with label David Farland. Show all posts

Sunday, January 23, 2022

The Art of Golden Queen by David Farland / Dave Wolverton

The Golden Queen (The Golden Queen, #1) by Dave Wolverton

Dave Wolverton passed away on January 14, 2022. This is just a tribute to one of my favorite novels of his. 

I recently commented on what I think was one my favorite stories, "After a Lean Winter," and what made it so brilliant.

The Golden Queen is a science fantasy. It would be easy for a long-time reader of fantasy just to accept this as a somewhat traditional fantasy with some of the usual oddities such as a talking bear, but then we have two moons. The novel opens this way

"Veriasse could taste the scent of vanquishers in the crsip mountain air. Beneath the sweaty odor of the horses, lying deep below the aroma of pine needles and leaf mold, he could barely detect the acrid scent of dronon vanquisher's stomach acids. This was the third time he had caught that scent in as many days, but this time it was closer than in the past."

Really, this could go either way in reading it: fantasy or science fiction. But the heavy emphasis on scents has a distinct odor of biology. Straddling the divide between science and fantasy creates a beautiful friction, a paradox of sorts, a broad palette of samples to taste. We inhabit two genres simultaneously. Just when you settle into the fantasy of it, the text will either imply or call up the science of what's happening.

But the most powerful aspect is the characters themselves. And the story takes off in the inn in Clere, the characters giving one another a hard time in a playful manner (notice how the barbs fly off at everyone, sometimes multiple people at once):

"Nooo, no!" Father Heany threw up his hands as if to ward off a blow. "You can't go trying to unload your ugly niece onto the boy," the priest said. "That would be a sin. She's a nice enough girl, but with those buck teeth--"

"You don't say!" Seamus frowned in mock horror. "You daren't talk about my niece that way."

"I will," the priest said. "God agrees with me on this point, I'm sure. The girl has tusks as dangerous as any wild boar's. Now, if Gallen is looking for a nice young woman, I'm sure others could  be found."

Fiction Book Review: The Golden Queen by Dave Wolverton, Author Tor Books  $22.95 (318p) ISBN 978-0-312-85656-4

Maggie got up from her churn. The cream had hardened to butter, and she could no longer turn the crank. Her face and arms were covered with perspiration. Gallen figured it must be midnight, yet she'd been working since before sunrise. She stood wearily, put a heavy log into the fire, then sat at a nearby table with a sigh that said, "Ah, to hell with it."

"Well, there is Maggie here," Seamus said with a wink, and Gallen saw that he'd been planning this all along. With Gallen and Maggie sitting so close together, it was a perfect opportunity to torment them both. No one in town could have missed the glances they exchanged, and Gallen had just about decided that Maggie was the one for him. "Now, Maggie has it all--she has her wit, she's a charmer, and she works as hard as three people."

Maggie also gives Gallen a hard time of it, too. However, the playfulness gets challenged when the beautiful Golden Queen herself arrives to send our heroes off on a journey, looking for a guide or an armed escort who can also defend. However, though Gallen shows himself worthy as a guide, he's rebuffed when he inquires about her name. An act not lost on Maggie.

Forgive me. I love Orrick the bear, too, but I can be less specific about that. Perhaps it is just our innate desire to befriend animals, but Farland does seem to capture some of the beariness of Orrick in a few deft gestures such as his voracious appetite, lapping milk from a bowl, and mysterious behavior like this: 

"God be with you, for I shall not," the bear said.... Gallen shivered at the sound of Orick's cryptic farewell.

There's much to love. It's almost as wonderful as knowing the man himself.

Tuesday, January 18, 2022

"After a Lean Winter" by Dave Wolverton / David Farland

 After a Lean Winter by [David Farland]

First appeared in Kristine Rusch's F&SF and in Kevin J. Anderson Global Dispatches, reprinted by David Hartwell in his annual retrospective. It was up for the Locus and Nebula awards.

What would have happened had Jack London experienced H. G. Wells's Martian invasion in Alaska?

NOTE: Indirect Spoilers.

Jack London and H. G. Wells might have shared some political visions, but they'd have likely parted ways on where Wells treads here, a surprisingly contemporary perspective on invasion.

But Wolverton finds the path where the two might have met in a kind of survival of the fittest. In a brilliant move, Wolverton extends Wells's speculative ideas and stretches them to their limits at the edge of wilderness and wildness of men, microbes, aliens, and beasts.

Wolverton contrasts the two writerly perspectives with a thesis and antithesis, and steps outside to come up with a neat synthesis. Perhaps "synthesis" is the exactly wrong word for where this story goes. This may be Farland's masterwork of SF. It probably would have or should have won awards had it landed the ending. Still, an impressive tale.

Wednesday, August 11, 2021

Getting into Writers of the Future with Luke Wildman

Luke Wildman--cool surname, no?--and I will share space in the upcoming Writers of the Future anthology. He has a lot of good advice here. He's also recorded a video summarizing and answering questions about the contest:



Put an asterisk on some of the meta-analysis as possibilities but not definites. I may have read few more anthologies, but I hadn't read the most recent in awhile. The "alien" perspective is difficult to achieve and impressive when done well.

The best explanation I've heard or read about entering the contest is this podcast with David Farland/Wolverton, Tim Powers, and Orson Scott Card. This is what I've pointed to when someone asks about the contest.

Part of it is going to be arbitrary. What did everyone else submit? If you and 400 others submit BEM stories, you're competing against all those stories for one slot. This happens in the magazines. I've had friends upset that they miss a market because a magazine published or will publish something like it within the past year or within the next year. You're competing against unknown forces.

The only thing you can do about that is to write what only you can write. Of course, it might be an oddball that stands no chance of publication, but maybe it's something that might catch someone's eye. A couple in the last anthology surprised me--not that I didn't like them but that they were experimental in some aspect.

That leads me to the next point: Traditionally, it has been a place for traditional stories--meat and potatoes. What's showcased is the speculation. Maybe the anthology is changing, though, so pay attention to what it's currently publishing.

If you're going to guess, you might map out the speculative subgenres. See what isn't getting published in the anthologies, and try one of the less traveled subgenres. I guessed in this post that maybe the editors are looking for more elaborate world-building tales (published early accidentally after experiencing a few surprises). In the podcast, Wolverton says he is looking across the breadth and depth of the field. There you go.

 The contest is a great place to test out your stories. See what gets the editor's attention. He hands out different honorable mentions (in 2015 he started "Silver Honorable Mentions") and finalists. What are you doing that might have caught his attention this time that you didn't do before?

Finally, read the anthology, as Luke says. Read at least three or four of them. My personal favorite was L. Ron Hubbard Presents Writers of the Future Volume XXIII although there have been several others that came close. Usually all are entertaining where two or three stand out, and a handful of those probably should have made it into the Year's Best anthologies. 

The temptation for a writer is to sneer and say that you wrote something better than story X! I'm afraid that the first time I submitted I probably felt like that. That can be healthy if it spurs you into writing something else and submitting it. After all, that's what got Octavia Butler writing. 

If it keeps you from submitting, though, then steer clear of it. The writers did something right, and your primary job is not to figure out what went wrong as if the story were still in the workshop, but to ask what made it catch the editor's eye. I hope that the analyses here on the blog all do that: something positive, something negative. A little bit yin and a little bit yang. A little bit country and a little bit rock and roll.

Feel free to send me your thoughts when the anthology comes out in November.

To all the writers, good luck! To the readers, have fun!

Saturday, July 31, 2021

Writers of the Future, v. 36, edited by David Farland

Every year, the Writers of the Future anthology produces a volume of stories selected to entertain.  It's surprising the number of quality works they comb out of the slush. Each tale has something that strongly recommends it. A writer could do worse than studying the successes found here:

  • devastating climaxes
  • heartbreaks
  • wild speculations
  • philosophical examinations
  • bold world-building
  • enticing hooks
  • an unusual take on a saying or something else we take for granted
  • an unusual take on a trope
  • ponderings on the past, present of future 

Clearly, a writer doesn't have to pack everything inside to perfection. But the story does have to do something well. The writers here unveil their talent like a colorful peacock's tail and assure us that all may go well for the future health of the speculative genres.

The reviews here speculate a bit on what the anthology is looking for--variety. So maybe if you think vampire stories will be glutting the market, now's not the time to send yours. But apart from anthology calls, there's no way to know what the editors will be reading.

I have no idea which writer will win the Golden Pen. I don't always agree with their choices as to which should have won. My favorite was sometimes one that took second or third. This time I don't have a clear favorite as all do something worth studying and emulating. Each has something that made me jealous of their accomplishment. I raise a glass to toast all the authors.

For writers out there, it may require not one anthology but multiple to pick up on the story types they're looking for. I do notice that sometimes stories that appear a year or two later have something to do with stories in a previous anthology--perhaps commenting on or supplying a new talk on a similar speculation. 

Another thing that just struck me is reading not just the Golden Pen stories (or quarterly winners), but also the stories opening the anthology. Even though it may not be what the judges or even the editor thought was the best, the editor is trying to grab readers with that one. 

Conversely, read all the final stories. Think the opposite. Maybe everyone's trying to write the story that appears first. What does the editor want the readers to leave with?

As a whole, the anthology stands toe to toe or even surpasses current professional magazines although it doesn't often supply the best that genre produced that year although it sometimes does. 

Here are the links to comments about specific stories, in the order that they appeared in the anthology:

  1. "The Trade" by C. Winspear
  2. "Foundations" by Michael Gardner
  3. "A Word That Means Everything" by Andy Dibble
  4. "Borrowed Glory" by L. Ron Hubbard
  5. "Catching my Death" by J. L. George
  6. "A Prize in Every Box" by F. J. Bergmann
  7. "Yellow and Pink" by Leah Ning
  8. "The Phoenix's Peace" by Jody Lynn Nye
  9. "Educational Tapes" by Katie Livingston
  10. "Trading Ghosts" by David A. Elsensohn 
  11. "Stolen Sky" by Storm Humbert
  12. "The Winds of Harmattan" by Nnedi Okorafor

 

Writers of the Future is offering a preorder special on volume 37.

Writers of the Future Volume 37 eBundle

Wednesday, April 26, 2017

Free ebook by David Farland


Barbarians by [Farland, David]Ashes and Starlight by [Farland, David]Ashes and Starlight is free. It is set "in the Runelords universe, 800 years before the original series, and sequel to" Barbarians.

Saturday, February 4, 2017

Free ebooks; upcoming workshops

I haven't done free ebooks in awhile. Here are two:

  1. Mike Resnick (plus discounts on other books/stories)
  2. Charles Stross

David Farland has live and online workshops -- both worth your while
*Dave himself is spreading this rumor. 

Friday, October 3, 2014

Copyrights and Writing

Copyright

Billie Sue Mosiman and Graeme Reynolds both tackle writers who don't read their contracts. It appears a company (I have no knowledge of this) has been overreaching, taking too many rights. Even if this isn't what's going on, it doesn't hurt to be cautious. 

Sometimes, it might be a misunderstanding. My first or second sale involved an editor who asked for all rights to a story. A friendly discussion got the editor to change his contract--for everyone.

Note that Kristine Kathryn Rusch and Dean Wesley Smith have long recommended The Copyright Handbook, which I've been dragging my heels because of its price.


#

Workshops


I just heard great advice from a fiction writer from Pakistan, Shandana Minhas, author of Tunnel Vision and Survival Tips for Lunatics.
"[I]n a market like that where there is intense competition for a very small pie--I don't know if that's what brings out the negative aspect of human behavior, but you do have to be wary of the feedback that you will receive from your peers because it might not necessarily always be ego-free."
I wish someone had said this earlier to me. Fellow writers can be helpful, and they can be unpleasant--out to eviscerate in order to prove their superiority. It may or may not be good advice, but if it's not specific, it's probably not good advice. Advice coming from superiority generally spouts from this poisoned fountain.

#

But StoryBundle has twelve writing books you should take advantage of--on sale, incredibly cheap.

Drawing on the Power of Resonance in Writing
by David Farland 
Million Dollar Productivity
by Kevin J. Anderson 
Killing the Top Ten Sacred Cows of Publishing
by Dean Wesley Smith 
The Pursuit of Perfection and How it Harms Writers
by Kristine Kathryn Rusch 
Million Dollar Professionalism
by Kevin J. Anderson and Rebecca Moesta 
Shadows Beneath
by Brandon Sanderson, Mary Robinette Kowal, Dan Wells & Howard Tayler 
Million Dollar Outlines
by David Farland 
21 Days to a Novel
by Michael A. Stackpole 
Charisma +1: The Guide to Convention Etiquette for Writers, Geeks, and the Socially Awkward
by Jessica Brawner 
The Freelancer's Survival Guide
by Kristine Kathryn Rusch 
500 Ways to Write Harder
by Chuck Wendig 
The Non-User-Friendly Guide for Aspiring TV Writers
by Steven L. Sears

Tuesday, August 19, 2014

David Wolverton / David Farland talking about editing

I just found this video on David Wolverton / David Farland talking about editing.  Very good. I used to mill about in my edits, blindly trimming or adding too much.  Wolverton clarifies the process, some of which I learned slowly just by going over and over manuscripts.  Here he lays it out so clearly.  He says he needs six revisions per manuscript.  Cat Rambo said that Andy Duncan recommended nine.

In following Duncan's advice, I uncovered or discovered items I'd brushed over.  Stuff I let slide become irritants, and I have to figure out a better way of saying it.  You get tired of the dead weight, so you hack and slash the lifeless prose.  It becomes a test of "Do you want to read it again?  What makes it worth reading multiple times?"

Interesting quote:
"A great story offends half its audience. It polarizes. It doesn't try to please everybody. It makes them think about things in life. An rating of 2.5 rating. Half love it, half hate it." -- Robert Sawyer and Dave Wolverton / David Farland in conversation 

Friday, May 16, 2014

Five Ways Not to Start Your Story (and Other Ways to Do So)

David Farland/Wolverton discusses several ways how not to start a story and what should go in.

  1. What’s wrong with Your Story? Part 1 (three things to put in immediately--don't warm up)
  2. What’s wrong with Your Story? Part 2 (emotional and intellectual distancing)
  3. What’s wrong with Your Story? Part 3 (clichés)
  4. What’s wrong with Your Story? Part 4 (ancient history)
  5. What’s wrong with Your Story? Part 5 (three strikes)

Sunday, April 20, 2014

Hugos announced (which are online) + Free & reduced ebook lunches (updated to add Farland, Powers, Day)

Hugo award announced (and where to find them if online)

***

The Last Witchking 
by Vox Day
Free
Up for the current Hugo.  Controversial.  A number speculated, without reading, whether this should be on the ballot. He has enemies but also active loyal readers according to the reviews.  Time to ignore both camps and seek the truth for yourself.

Spirit Walker 
(Serpent Catch) 
by David Farland 
$0.99
The opening book in a science fantasy series.  It appears to be redivided from the original.  One novel appears to have fallen short of a Nebula nomination.

The Bible Repairman and Other Stories 
by Tim Powers 
$1.99
Featured in best-of collections and up for a Locus.

Beyond the Rift 
by Peter Watts 
$1.99
Some of these stories won or were up for about every SF award.  Only a few hours left!

Cosmic Kaleidoscope 
by Bob Shaw 
$2.99
 A few classic stories

Orbitsville 
by Bob Shaw 
$3.79
Won the British SF award

The Star-Spangled Future 
by Norman Spinrad 
$3.99
 A few classic stories

Faces 
by Leigh Kennedy 
$3.99
Stories up for Locus, Nebula and in Best SF

The Journal of Nicholas the American 
by Leigh Kennedy 
$3.99
Up for a Nebula 

The Songbirds of Pain 
by Garry Kilworth 
$3.99
collection up for World Fantasy

In the Hollow of the Deep-Sea Wave 
by Garry Kilworth 
$3.99
 A few classic stories

Roma Eterna 
by Robert Silverberg 
$4.74
Up for Locus awards, Best SF

A Song Called Youth 
by John Shirley 
$6.99
early cyberpunk -- three novels!

Sunday, March 9, 2014

Story Bundle

Truly Epic Fantasy Bundle
For $3 or more:
  1. The Sacrifice by Kristine Kathryn Rusch 
  2. Spirit Walker by David Farland 
  3. MythWorld by James A. Owen 
  4. The Camelot Papers by Peter David 
  5. The Monarch of the Glen by Neil Gaiman 
  6. Bloodletting by Peter J. Wacks & Mark Ryan 

Bonus for $12 or more:
  1. Clockwork Angels by Kevin J. Anderson 
  2. The Emperor's Soul by Brandon Sanderson 
  3. The Immortals by Tracy Hickman

Thursday, March 6, 2014

New Ebook Releases





Serpent Catch trilogy by David Farland ($3.99 each)
  1. Spirit Walker
  2. Serpent Catch
  3. Blade Kin



  
  
  


Sunday, December 29, 2013

Last Day: Fiction Bundle

Support charities and authors.  Name your price for six books or pay $10 for a seventh book (which is actually like three books in one, Tim Pratt's collected fiction.  Includes authors:

  • Kevin J Anderson
  • Doug Beason
  • David Farland
  • Frank Herbert
  • Tim Pratt
  • Dean Wesley Smith
  • Brad R Torgerson

Saturday, December 21, 2013

Wolverton Novel Outline Workshop

If you're a writer, here's another way you can help the Wolvertons and yourself.  Take a workshop from David Farland.  He gives you his all:

Prewriting — From Brainstorming to Outlines $349
"In this 7-week workshop, learn how to brainstorm a complex novel or screenplay–from setting, through casting, conflicts, and plotting, up through creating a final outline."
It's more work than I expected, but it's worth the price of admission.  It will help you envision a well-rounded novel.  I've fumbled at novels before and made little headway, not sure how to proceed.  Farland clears the path for you, but some of those lessons are a sharp learning curve.  "You want me to do what? how?"  As soon as you belt yourself in for an extended ride through your own imagination, you'll feel like you've built a better amusement park.

Other courses are newly available.

One Good Fall by David Farland

Despite warnings from his parents, Ben Wolverton longboarded without a helmet.  On a steep hill new to Ben and his friend, Ben fell so hard he had to life-flighted to a hospital and was in a coma for a month.

At times, Ben's prognosis was grim.  Expenses accrued, upwards of a million, which the family is still trying to pay off.

This book serves multiple purposes:  to warn those who choose not to wear helmets and to help the family crawl out from a tremendous debt.  You can help the Wolvertons and any loved ones who don't heed Ben's example, through the purchase of this book.

Monday, December 9, 2013

Reading Update: Power Structures

David Farland kept asking about "power structures."  At first I resisted:  "I care more for people than for politics," but I relented to Farland's greater wisdom, and I'm glad I did. Among online investigations, I dug up two books of note--one for its usefulness, one for its dubiousness.  Both fascinating.  They answer Farland only indirectly, however.

Here are their slide-show summaries:
Power: Why Some People Have It and Others Don't Hardcover by Jeffrey Pfeffer

The 48 Laws of Power by Robert Greene

Ebooks:
Power: Why Some People Have It and Others Don't Hardcover by Jeffrey Pfeffer

The 48 Laws of Power by Robert Greene

Saturday, November 30, 2013