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Showing posts with label Stephen King. Show all posts
Showing posts with label Stephen King. Show all posts

Thursday, March 28, 2019

Movie Review: Stephen King's It

Summary: 
The town of Derry in 1989 is losing so many of its young people, that they've issued a curfew. Only one boy has done the research to learn this happens every 27 years. A group of "losers," the targets of local bullies, have banded together against their common enemies: said bullies and a clown called Pennywise, which each of them sees, one by one, next to their greatest fears.

The camaraderie is potent here. They band together. The cast may be a little too large to let each have a little more of their own distinctiveness. But in the end they are characterized enough.


Movie Comparison (spoilers implied):
The first part of the TV series was effective as well, albeit more limited by budget, time, and special effects, but Tim Curry and the kids made this one work. In fact, even with the shorter screen time, the camaraderie of the first series is a little tighter. While inferior, some of the special effects were effective. Mostly they involved cut-aways that required the audience to fill in the gaps, but it also squeezed more out of space, squeezing victims and clowns into narrow drain pipes.

The movie version has only the kids appear, and they do get a stronger development. Most have their own unique and powerful experience with Pennywise, but Georgie and Beverly take best advantage of the increased screen time. Beverly especially becomes the bond that glues their group together in the new version. Pennywise, from the trailer, looks to be a stillborn failure, but Bill SkarsgĂ„rd does a better job than his trailer displays. His coaxing of Georgie is terrifying, and the special effects push him further.

I've heard that seeing multiple screenwriters credited on a movie is supposed to be bad, but in the remake the writing works hard to push beyond what we saw in the TV series. It pushes boundaries and uncovers surprises. Even in the novel, Georgie is found dead. In the remake Georgie and all the disappeared are just that: gone, leaving the townspeople to worry over the disappearances But that opens a can of worms about why adults haven't been combing the countryside looking for the disappeared. Surely this town would be crawling with reporters from all over the country, and surely a majority of parents would be keeping their kids home.

The near finale image of the disappeared is quite haunting, giving a new sense to the movie's catch-phrase.

An interesting side-note is how the TV series goes back into 60s for its past while this movie goes back near to when the TV series was made for the movie's past.

The TV series dives into the mythos of Pennywise, if simply. The second does not although it sketches some of the history. The teaser trailer for the second half of the remake suggests that we will go into this, fingers crossed. I simply linked to the teaser trailer since it isn't very good, resting too heavily on heavy-handed horror and uses much footage from the first film.
Part Two (spoilers implied):
The TV mini-series failed to live up to the promise of its first part. One wonders how the forthcoming movie sequel will fare. It almost seems impossible to deliver. These are, after all, childhood fears, for one. Since they are all adults, how can it have the same impact? Of course, some of our fears will carry into adulthood, but can they have the same power? The other problem is that they know how to defeat it. So how can the second movie do more than retread without the oomph?

We'll, have to wait until September 6, 2019 to find out if it can live up to its first half.

Thursday, April 17, 2014

On Stephen King

I haven't had a favorite novel, but I believe my favorite story of his was "The Raft", which I recently saw had been up for a Locus award.  I should reread it to see what I think now.

Richard Thomas lists his top 11 Stephen-King essentials. 

Gilbert Cruz ranks all of Stephen King's books.

As the above two confirm, in my ongoing anecdotal survey, The Stand is consistently ranked #1.

It is to be two films.  The first half of the first movie was indeed spooky.  The second, less so.  It will be interesting to see how this one fairs.

Stephen King: How I wrote Carrie:
"The author describes the inspirations for his first novel, and how the horror landmark – 40 years old this week – was very nearly destroyed."


Monday, December 23, 2013

Free and Reduced ebook lunches (Award winning and nominated works)

Fiction
After: First Light (AFTER post-apocalyptic series, Book 0) 
by Scott Nicholson 
Free

After: The Shock (AFTER post-apocalyptic series, Book 1) 
by Scott Nicholson 
 $0.99

Finalist for Crawford and Stoker awards.

$0.99  
Philip K. Dick award-winning SF
 





Nominated for a Locus award

$1.99  
Nominated for Locus and Gandalf awards 


Winner of the Golden Duck.

Winner of Hugo, World Fantasy, Locus, Geffen, Mythopoeic, SF Site awards.  Nominated for many others.

Winner of the Andre Norton Award

Nonfiction


Saturday, September 21, 2013

Monday, July 8, 2013

The Idea of Ideas and IO9's interest in Avatar

From the article titles alone, IO9 appears to like Avatar with a desire to have it shell out money to certain parties.


The authors seem semi-unbiased--Charlie Jane Anders appeared to place little stock in the claims in the comment section: "you could easily do a list like this for Star Wars. It's just funny how eager people have been to point out what sources Avatar 'ripped off.' "  But the titles as a group do accidentally lead us to the subtext that Cameron is guilty.

This brings up a slew of questions:  Where's the demarcation?  What is plagiarism?  What's coincidence?  What's homage?  What's wrestling with other people's ideas?  The waters get murky because if you've studied genre history and/or studied with James Gunn, you learn authors actually responded to one another's ideas.  For example, Tom Godwin's "The Cold Equations" still has writers arguing with him.  As does Robert Heinlein's Starship Troopers, which has some of the biggest names in the business respond:   Joe Haldeman, Orson Scott Card, and John Scalzi.

With Robert Sheckley, I discussed the similarities between Stephen King's Running Man and Sheckley's "The Prize of Peril".  Sheckley said he had called up King and asked about that.  King admitted he'd read the story and admired it, but it had been awhile.  Essentially, grist for the mill.  Sheckley accepted the answer.  What a generous heart that man had.

Most likely the articles are intended to provoke thought and discussion although I can't help but feel some sympathy for the artist and wonder what's next for art, especially as copyrights keep getting extended indefinitely.

Saturday, June 15, 2013

"The Cat from Hell" by Stephen King

Available as part of Dozois' ebook, Magicats.  Reprinted in Terry Carr's Year's Finest Fantasy.

Halston is hired to kill a cat.  This cat killed a woman the boss loved.  Others have tried to kill the cat but died.  Halston doesn't buy it, but it's money.

The cat escapes the bag Halston put it in.  Halston has a fight for his life.