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Monday, September 17, 2018

Craft Techniques in "Wants" by Grace Paley

As a discussion of the story, there may be spoilers here, but I'm not sure the story can be spoiled. The story is a simple one. A formerly married couple encounter, talk, bicker, and part.

No quotes creates a dreamy atmosphere. The narrator's inner thoughts meld with dialogue.

Hello, my life, I said. We had once been married for twenty-seven years, so I felt justified.

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I love her admissions of guilt:

The librarian said $32 even and you’ve owed it for eighteen years. I didn’t deny anything. Because I don’t understand how time passes. I have had those books. I have often thought of them. The library is only two blocks away.

Not only is this funny, but also many creatives are just as guilty. It also allows us to accept the difference in couples, and we probably identify a little more with the narrator because of her interests. It also helps that we see her critique herself when she turns to critique on her ex.

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One thing I didn't buy:

Don’t be bitter, I said. It’s never too late. 
No, he said with a great deal of bitterness. I may get a sailboat. As a matter of fact I have money down on an eighteen-foot two-rigger.

Is he bitter? Maybe. Maybe she knows him so well she can hear it where we may not. However, 1) How can someone hear "a great deal of bitterness" in a single syllable? and 2) He goes on to say he has been doing something about it.

Maybe she admits to not knowing here:

Either [current or former husband] has enough character for a whole life, which as it turns out is really not such a long time. You couldn’t exhaust either man’s qualities or get under the rock of his reasons in one short life.

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The title, "Wants," plays on the dynamic between the old definition of "want" and the newer one, where "want" used to be closer to "need."

His wants are physical: a sailboat. Hers, to better herself and the world.


The ending is curious when she says
I decided to bring those two books back to the library. Which proves that... I can take some appropriate action.
This actually opens new questions: 1) Is she returning the books before reading them just to make a point? (which is absurdly funny) 2) Or are we to trust that her decision is as good as action? 3) If her decision is as good as action, why hadn't she turned the books in before?

She undercuts this with the statement, "although I am better known for my hospitable remarks." This doesn't necessarily answer the above questions, but maybe it suggests she may not turn in the books after all, despite her good intentions.

Saturday, September 15, 2018

My First F&SF

The two stories I remember--mostly for the impression of trains so vivid that I was certain the cover had a train on it: "North of the Abyss" by Brian Aldiss and "Bound for Glory" by Lucius Shepard. I was quite taken by Card's "Lost Boys" despite it being fictional biography. I rather liked the rug being pulled out from under me (in a story).

Also garnering attention were Gene Wolfe's "The Friendship Light," J. G. Ballard's "War Fever, and Robert Silverberg's "Tales from the Venia Woods" although I don't remember them. I did like the issue. I subscribed whenever funds supplied the means to do so.


Fantasy & Science Fiction website

Thursday, September 13, 2018

My First Asimov's magazine

Writers were discussing the first issues of SF magazines. This was my first issue of Asimov's. I was most taken by Nancy Kress's story, "Beggars in Spain," which went on to win a Nebula. She later expanded it into a novel, which felt like its more natural milieu. My first read left me wanting more, when I reread it as a novel, the expansion felt a good fit. Some prefer the story, however.

Mike Resnick's alternate history, "Bully!," got attention as did "The July Ward" by Sharon N. Farber/S. N. Dyer, which may be her best known work. I'll have to reread it.

Asimov's website

Monday, April 16, 2018

Cultural Ephemera: Edna St. Vincent Millay and the Carpeted Staircase

I can't remember being smitten by an Edna St. Vincent Millay poem before. Here is "April," a recent Poem of the Day featured at Poetry Foundation.

It doesn't get interesting until she gets to the maggots squirming in brains--"Not only under ground are the brains of men / Eaten by maggots"--an unexpected image from what came before, but it's interesting also in that it is life in death ("there is no death").

The ending is good, but this phrase was the most fascinating bit: "a flight of uncarpeted stairs"--as a metaphor for life being nothing. Does that mean that carpeted stairs is something? The poem reveals itself as a product of its time, a flag of history where carpet on stairs was a technological thing of wonder, perhaps something to be envied (they're so rich they have carpet on their stairs!).

This thing we now take for granted--a simple option homeowners briefly think about--was once a wonder, perhaps even a thing of joy.

A brief search shows carpet was beginning to be affordable in the mid 19th century, with some innovations in the early 20th century. No way to know when it fir
st became a thing to fit carpet on the stairs.

Belatedly, it strikes me that the carpeted stairs could be a joke (oh, remember when people used to think carpets on stairs was novel? ha, ha--my parents were such rubes). Even so, the innovation would have to been within or very near Edna's lifetime, for that to have been a joke.

Tuesday, April 10, 2018

Cultural Ephemera: The 1960s Generational Divide in Art Linkletter's "We Love You, Call Collect"

I'm repurposing the use of a term ("ephemera" meaning printed matter not intended to exist for long--which seems to be the most popular use according Google searches) by going back to the word's primary use in order to get at a phenomenon that intrigues me--and possibly others, which is "something of no lasting significance" (according to Merriam-Webster).

When I combine the term with "cultural," I refer to those things that momentarily struck a culture's zeitgeist, for whatever reason. The reason is usually the fascinating part. Why did it strike the culture's fancy?

Here's an example. Art Linkletter (Wikipedia) was a talk show host on a variety of radio and TV programs. You sometimes hear people still using Linkletter as the butt of a joke--as if the meaning of the joke should be clear--although its use is rather dated if not obscure to most of society now.

Art's daughter, Diane, [video clip of Diane in a commercial with her father] jumped to her death in 1969, out of a six-story window [further info on her death]. Art said it was due to an LSD flashback although people like Bobby Darin blamed Art's parenting (his song "Baby May") as Art became staunchly opposed to drug culture and figures like Timothy Leary who said LSD was safe. John Waters did a short film about Diane featuring his famed drag queen, Divine [It's early John Waters--the dialogue jumbled]. David Foster Wallace refers to it in his novel, The Pale Kings.

Art released the following spoken word audio, "We Love You, Call Collect," which peaked at #42 on Billboard Top 100 and won that year's Grammy Award:



Supposedly, there's a rebuttal from the daughter ("Dear Mom and Dad") though I couldn't locate that.

The power of this ephemera is not how it delivers its art, which is nigh nil except for its moving last line, but how it captures the generational divide of its time. One can extrapolate both perspectives.

Note that even in Linkletter's excoriation of Leary, he also praises Leary, which makes Leary smile (see video linked above). Whatever else one may have against Linkletter, he was talented at engaging people, even in anger.

Wednesday, March 14, 2018

Amazing Stories Magazine Is Staging a Comeback


Amazing Stories, the oldest SF magazine, is prepping jetpacks to make a comeback, but they need your help.

Here's a Kickstarter with the details. They may need a few more goals and possible stretch goals. So far they've received 25% of their goal within 25% of its month of being up.