"Lot" and "Lot’s Daughter" by Ward Moore

Both "Lot" and "Lot’s Daughter" first appeared F&SF.  The first was filmed as Panic in Year Zero and was reprinted by Everett F. Bleiler, T. E. Dikty, Anthony Boucher, J. Francis McComas, Brian W. Aldiss, Sheila Schwartz, H. Bruce Franklin, Walter M. Miller Jr., Martin H. Greenberg, Isaac Asimov and Peter Haining. The sequel story, "Lot’s Daughter", was reprinted by Robert P. Mills. They were published together in a slender volume by Tachyon Publications.

            Summary

Mr. David Jimmon and family are packed and hurrying out the door to escape the effects of a nuclear blast. A neighbor, Warbinn, tries to intercept them before they leave, but Mr. Jimmon is in hurry. They meet briefly on the highway for Warbinn to say that he had Jimmon's tire jack back at the house. Mr. Jimmon is angry but brushes it off thinking he had one in this particular car. Meanwhile, Mrs. Molly Jimmon talks about going back to L.A. in a few days and wants to check to see if the lines to L.A. are working.

            Commentary with Spoilers

Of all his kids, only Erika seems to be most like him, seems to realize the magnitude of what is occurring although there are hints that maybe Jimmon doesn’t really know the magnitude of what is happening. Are there as many nuclear blasts as he assumes there will be? Will civilization be wipe out?

Mr. Jimmon is clever enough to drive in the inbound lanes, which were empty except for a bunch of military, fire, and police department vehicles. Jimmon is written a citation and told to turn around. But he doesn't.

This section provides a clever solution and complication. However, it seems dubious, even pointless, that anyone would remain with the fallout radius. Staying behind sounds noble but also foolish and deadly. Surely, no one would have these groups drive into a dangerzone. Why? To save victims, they'd become victims. Maybe something else is going on.

Besides, once Jimmon leads the way, at least a third of the traffic would follow suit, speeding up both sides of traffic. 

This was a major story that writers continued to talk about into the nineties, demonstrated by Tachyon republishing the two stories as short novel/chapbook collection. Michael Swanwick in his introduction, puts the story into historical context, pointing out the era’s concern for school children surviving an atomic bomb by hiding under a desk, which may have done little to protect the kids. Children today still drill for potential shooters and tornados although the scale of an atomic bomb (and survival) would have been a far greater destructive and long-lasting effects. Those who drilled for an attack were probably the most moved by nuclear holocaust narratives so prevalent between the fifties and the eighties, which has dropped off even though nuclear explosion is still a possibility today.

The story’s details and dialog are mundane, focusing on the thoughts of a survivalist who has thought hard about this possibility. The family dwell on minor issues in the face of a graver danger—the father seeming to be the only one aware of the true danger of a nuclear bomb although presumably the kids were educated in the classroom, to some extent.

It has few speculative eyekicks, but its strength lies in a clever take on the Biblical tale of Lot, which immediately comes to mind today since the story is often paired with its sequel, "Lot’s Daughter."

One must take this in mind when interpreting the ending where he abandons his sons and wife—too concerned about the trappings of the past and civilization. In the Bible, Lot was told to leave Sodom and not to look back. In the story, none of his family wanted to leave, despite how abominably they treated his guests (and Lot promised them his daughters). Here though, we may only be expected to remember that they were told not to look back, but Lot’s wife did and she was turned to a pillar of salt. Here Jimmon takes the more active role of God and abandons her and their sons. Maybe they would be in the way in this new way of life that Lot expects. His wife does seem critical of a pudgy, aging David Jimmon surviving in a new world.

That Lot takes off with just his daughter suspends a second, suggestive meaning in their escape and abandoning the rest of the family. In the Bible, Lot’s daughters get him drunk and sleep with him to carry on the family seed.

But one should not forget the other possible meaning of “Lot” as in “much” and “portion” and “destiny.” Is Lot too much? What is Lot’s lot? Is it too much? Does he deserve it? Do his wife and children?

 “Lot’s Daughter”

If you’ve read “Lot,” you don’t need “Lot’s Daughter” (published about a year and a half later, so it’s difficult to tell if the story was written to answer questions that readers had) as the same theme carries on although it does answer some plot questions while leaving some of the same ones open.

The daughter becomes his wife, both physically and mentally (the incest stays mostly in the background). She has him explain why he left his family. He explains he left her $20,000, which would be a tidy sum, but she points out that that money would be useless to her if the economy collapses. After spotting jeep tracks and being dissatisfied with their present life, she sets out for what she hopes will be civilization. He, meanwhile, surmises what she did, sees the missing gun and carries on with their son despite the pain of molar that could be aided by civilization.

The story does answer that civilization was more devastated than his previous knowledge suggests as they have been using the car’s radio. Unfortunately, radio would have not have worked since the car battery, tires, gasoline, and even the engine itself might have all been dead after six or seven years. When Dad fell ill, we let Dad’s truck sit for two years without using it, and it had seized up. Gas goes bad over winter so they usually add additives to protect it, regular use of the battery would use up its energy unless they recharged it by driving it and he didn’t want to draw attention themselves by driving it.

The original editors, Boucher and McComas, insinuate that they saw David Jimmon as careful yet selfish. (They seem to be the ones who urged the sequel, according to their introductory material).

Editor Robert Mills, like Swanwick, calls the second story (and presumably the first) “a real treatment” of the nuclear scenario. The incest, despite being carefully worded and never displayed, apparently did not go without controversy, according to the back matter in the chapbook. Little wonder it got so few comparative reprintings, apart from the problem of being a sequel, much as it tried to stand alone.

It’s a good story although it depends heavily on the first, or it wouldn’t have lacked the proper impact. It is best read as a pair although the first story could stand alone. Perhaps the most fascinating aspect is how Erika both is and is not his daughter through this one act. These narratives are probably a critical piece of the genre in terms of discussing nuclear holocaust.

The Author

Ward Moore won no awards or nominations yet was respected by writers. Despite the appearance in several best-of anthologies, he seems to have never had a collection. Apparently, he appears as a character in books by Kenneth Rexroth, himself, and Jean Ariss. He is also well known as the author of the critically acclaimed novel, Bring the Jubilee, which I [will] discuss here.